I often work as a liaison between my client and other vendors, working to communicate needs, wants and realities between both parties. The client has ideas and the photographer has ideas, and I try to bring those two planes of thought together to deliver what will best serve the client’s needs — striving for fabulous, specific to the particular spa experience and functional.
When working with photographers, here are a few things to keep in mind for your spa photo shoot.
Preparation is key. Photographers are not mind-readers. Before meeting with a photographer, make a list of the shots you want and find images from other photographers (look through magazines or stock photography sites or check your own photographer’s photo gallery) that are similar to what you want. Think about composition, light quality, style, etc. Even if you don’t know why you like a particular photo, clip it and show the photographer you are working with. You don’t have to know the technical terms, but you do need to have an opinion and examples in order to get what you want.
Think about what is available in stock photography before you start, and about what images you have seen before. If you want some images that are more abstract, consider if those shots are already available via stock photography. If so, how can you make those images be specific to your spa? Try to capture essences of your facility, to connect the audience with what your spa delivers. A lot of images in the spa industry are oft-repeated … so how can you tweak it just a bit to make it your own?
For example, the hands-on-the-back massage photo. Can you work in a bit of the background of your massage room, if it speaks of your spa experience? Massage photos are great at putting the audience in the experience so that they think – I want to be that woman on the massage table – but try to keep the photo as specific to your spa as possible.
Stay involved during the shoot. For a photo shoot, unless it is a photographer the spa has a long-standing relationship with where you know they clearly understand what you want, stay with them as they shoot. Find a balance between micro- and macro-management of the shoot, where you offer suggestions or catch detail issues but don’t hinder the photographer’s ability to work or his/her creative license. Be closely enough involved to be able to contribute constructively to the shoot.
For example, shooting at Spa Shiki, we were getting photos of the model in the meditation room. Most of the photos were from behind, focusing not on the model, but looking over her shoulder, almost as if eavesdropping on the scene to convey a sense of privacy and quiet. I asked for a different angle, moving the photographer to shoot her feet/ankles crossed, to capture the row of chaise lounges – hoping to go for the same feel, but in a more unique way than we’ve seen before. I didn’t have this angle on the initial shot list, but got a glimpse of the possibility in the photo shoot.
Consider both ad and editorial uses. Creative angles are great, but make sure you also have more standard photos of your facility for when you need them for the media.
Behind the scenes photos from Spa Shiki photo shoot with Pro Photo’s Chris Hollaway and Rebecca Rademan.